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April 1, 1972

Two exhibitions, Selections from the Asian Collections of Vassar College and “The White, Marmorean Flock”: Nineteenth-Century Women Neoclassical Sculptors, ran simultaneously at the Art Gallery. Curated by Annete Juliano, instructor in Oriental art, the Asian exhibit featured Chinese bronze age pottery, Japanese raku tea bowls and jars, Korean celadons and an Indian sculpture from the Pala period, all displayed, according to The Miscellany News, “for the first time in a way befitting their quality and importance.”

The second exhibition, curated by Nicolai Cikovsky, Jr., director of the Vassar College Art Gallery, and Professor William H. Gerdts, from Brooklyn College, took its title from Henry James’s evocation, in William Wetmore Story and His Friends (1903) of “that strange sisterhood of American ‘lady sculptors’ who at one time settled upon the seven hills [of Rome] in a white, marmorean flock.” The American sculptors represented were Margaret Foley (1820-1908), Harriet Hosmer (1830-1908), Vinnie Ream Hoxie (1847-1914), Edmonia Lewis (1844-1907), Emma Stebbins (1815-1882) and Anne Whitney (1821-1915), all of whom lived and worked Rome in the 1850s and 1860s and all of whom but Lewis were white.

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